Thursday, 11 May 2017

Noir Hip-Hop


New smooth style emerging in Underground Hip-Hop?

Just this year I've been reconnecting with the sounds of Planet Asia, which of course goes hand-in-hand with Durag Dynasty (of which he is one 3
rd of). And I noticed the sample of sounds I'd been hearing, there was a stylistic trend, this also included a blend with music video. Incidentally, not too long after that I discovered Brooklyn based emcee 'Ka', who also happened to already have a collection of music videos to go with his music. Sporting a minimal yet rich feel, a lot going on, yet at the same time not over-stated. A lot of the visuals work extremely well with the sound, with a similar relaxed pace to Planet Asia's approach with "Iceberg" & "Made it".


Planet Asia's atmospheric"Iceberg"

Within a short space of time, I'd be pulling back tracks on Roc Marciano's "Rosebudd's Revenge". This recent Roc Marci project was feeling a lot like some of the aforementioned works, combined with some minimal, yet stylistic videos, it really feels like a movement, almost unaware of itself, almost accidental. "Rosebudd's Revenge" is possibly one of the best Hip-Hop projects I've heard all year, while not perfect, when Marci flows he kills, the production is also stellar, "Herringbone" is near genius in it's simplicity, which concludes with Roc rhyming over a looped flute sample, something I'd personally pay to see "unplugged".



Album teaser of Roc Marciano's "Rosebudd's Revenge"

Kool Keith also came thru with some atmospheric material with "I'm tired", a master in his art however, Keith has many styles and forms he can appear in, so this was no surprise. Yet the coincidental style that appears to be shared almost appears intentional. The music visuals for "I'm tired" play into the same hand, a fly on the wall view, setting the scene of a midnight lifestyle, slow establishing shots & the city at twilight.

Kool Keith, back by Edo G in "I'm Tired"

Of course, in conclusion, all of this could easily just be down to correlation, my own taste combined with small budget music videos & smooth as fuck emcees, however, if that's all you see, even after this has been stated, you might be missing a minor hint...This whole style I may or may not be touting, is sitting here for the taking.

Ka's "Cold Facts". A favourite of
the selection.

Personally, I'd like to see the video makers, emcees and any other artists involved in these projects to take advantage of this aesthetic, as I feel personally a lot of cats out there will appreciate seeing more of it.

Ashy.

Friday, 5 May 2017

Schematics Store!?


So out of nowhere pop's up some unofficial...

Schematics Store

While I've basically stopped making any new designs for my Redbubble account
another "similar" store has popped up. This store is just basically some of my old shit
some fraudulent pirate motherfucker has made, a lot of these old designs were
discontinued, but have somehow been acquired and re-uploaded.

Shit doesn't matter at all, if people are in need of shit I can't give them, go fucking 
get it.

Here are some of the rare designs you can grab on the Schematics store...

 GhostDOOM  J.Clone (J.Cole)
 K. (Kendrick Lamar)  tycoon. (Kopénom)
tycoon. (Kopénom)  Lost in an Era (Earl Sweatshirt - "Knight")
 MAX DUST .003 (True Heroes)  NO RATZ in '09
Ruler™ of the Realm®  StarScreamer. (A$AP Rocky)
 The Girl With Hair Like This. The Unselectables!
 Entelechy. ExrlH+dgy. (Earl Sweatshirt x Hodgy Beats)
 Where's the Receiver? MAX DUST .006 (Cosmic Standoff)
 GEN:ℱℛℰ$ℋ(Relapse)  GODleeBarnes
 [Placeholder]  CaterKing. (Kopénom)
 MAX DUST .012 (Retconned)  xTWiGS (FKA Twigs)


Monday, 3 October 2016

"MF Qarz"

MF Qarz/Qart Hedgeson


The internet is a funny place. This design was originally named "MF Qarz".
However, it was probably too on the nose for the copyright sharks.

Re-named to Qart Hedgeson, this mash up of "MF DOOM", "Sonic the Hedgehog", "Quasimoto" and "Bart Simpson" shouldn't have gotten such a rough take down
due to just how ridiculous the amalgamation is....and such obvious parody too.

Qart could always use more love, so check this design out it
 is currently available on a tonne of products via Redbubble.

Current Qart Hedgeson variations

Wanting to get the most of these designs, multiple editions were a must.
Mixing my collage art with my pencil art seemed to fit perfectly.
Actually, come to think of it, there does appear to be missing styles
that would fit perfectly in place with this design....
Further, Unseeing Edition and "MF Qarz" Original

Look out for more Shadeprint designs flying up on on both



Might as well mention also make music, check out my bandcamp for
my entire discography or my Soundcloud if your prefer to make some
kind compliments.



For everything else, you can follow the progression of Shadeprint via
all of these other logos you may be familiar with:-

 

Sunday, 21 August 2016

Beat Dump 6. The Influences: DJ Premier.

Beat Dump 6: The Influences

DJ Premier
(@DJPremier)



Like a "soon to come" future post, Premo's influence is not at all an easy subject
to condense into a single blog post.

DJ Premier is one of those producers who has always been there for someone
of my generation in Hip-Hop. Premo during the 90's teamed up with Guru
to define an entire era of Hip-Hop music. Preems signature sound and style
always arrives with recognisable authority, arguably like no one else in the art.

Premo's sharp chops, kicks and snares, heavy bassline's and dirty intro's keep
him stack above the rest, I'm a sucker for his work, a dirty Premo drop is
like no one else, especially during a live set. The fact he's kept busy
throughout the years since the early 90's proves to be a testament to his amazing
work ethic, from some of the first Premo production with Gang starr, to classics such as
"You know my Steez" & "MC's act like they don't know", to "Classic" with Rakim & Kanye, to the more obscure "Think Twice" with The Four Owls (a UK Hip-Hop group
from my hometown London) to his work with Christina Aguilera, in which his style
was never compromised garnering much respect from his fans and the Hip-Hop
community.


 While able to create simple powerful loops with iron hard drum loops,
DJ Premier is impressively concise, being one of the early and biggest Hip-Hop
producers to chop samples and redeliver them in an unrecognisable state.
Quite far away from mere breaks and loops, Premo shows you can create a
completely fresh aesthetic flipping intricate chops, layering hard drums, developing
a gritty collage or sometimes a smooth blend into something both
surprisingly unexpected and impressive.

You want to hear some of the magic Premo makes, recommendations from my
perspective would point you towards, "Boom" with Royce da 5"9, all of his work under
 Gang Starr ('Full Clip', 'Mass Appeal', as mentioned 'You Know My Steez' recommended), "Rugged Neva smoove" with M.O.P, my favourite song "Sayin' Something" with Ed O.G,
The classic "Nas is Like", "P.A.I.N.E" with Freddie Foxx aka Bumpy Knuckles,
 Goldyn Chyld with Ras Kass, "Return of the Crooklyn Dodgers" (Another all time fav)...The more you dig, the more you find, the diamond mine never ends, Premo's beat library
is absolutely huge, I doubt there are many asides from Premo who have heard everything...
Covers, freestyles and shit would probably cover a lifetime.



PRESENTING:
Mechanical Ashar
Beat Dump 6
Another chapter in a story of beat development, audio art & musical experimentation.

Free to download, check it out, let me know what you think.
For more Shadeprint stuff, find me online (@Shadeprint)



DOWNLOAD: http://bit.ly/BeatDump6

Monday, 8 August 2016

Beat Dump 6. The Influences: MF DOOM.

Beat Dump 6: The Influences
MF DOOM
(@MFDOOM)


Without this fellow, the Beat Dump series may have never happened.

Over the last past 10 years MF DOOM hasn't just been
my favourite rapper, but my favourite artists in music overall.
This guy changed Hip-Hop for me just as I was finding it stale
and extremely frustrating. DOOM changed everything for me personally,
asides from lyrics more left-field than anyone else I'd been exposed to
at the time, DOOM proved to be a magician with production.

What is special about DOOM's production isn't so much his skill
but his aptitude to seek out and craft simple, but effective, addictive
loops (often with very clean drums patterns) DOOM taught me about
the rules and how there aren't really any.

Even at this point, I'm still hesitant to pull some of the shit he's pulled.
However, I consider DOOM the first artist to prove to be a master of
skits, keeping them interesting, thematic and mainly; musical.


The entire Special Herbs & Spices series were a great listen and an
even better research project, finding those original samples and figuring
out how they were flipped. Projects such as the classic "Operation: Doomsday"
and "Take me to your leader" (released under the name; King Geedorah), gives
us a showcase of beats, rhymes, skits, themes, samples blended together creating an
audio aesthetic defining DOOM's signature style.

Looking back at his early work while with KMD, you can see just how visionary
DOOM was, from the sample work to the clever skits, building the universe the
story is based in. I personally like to seek out new talent, I'm used to stories in
which great new talent emerges, then burns out like a shooting star or worse is
snatched away from us too soon, almost in a strange poetic sense, in which we never
get to see their 'true potential'.

Tragedy did strike KMD losing a key member, rapper & producer, but most importantly
DOOM's brother 'Sub-Roc'. Hip-Hop lost an emerging talent. KMD were soon
dropped from Elektra & Daniel Dumile fell into a void in which many would never return.
But over the years Daniel Dumile, then known as Zev Love X did return, turning his pain and sorrow into energy fuelling his new persona MF DOOM; Hip-Hop's Super-villain.

There is much speculation as to how much of Sub-Roc's work was credited
as DOOM's, many theories as to how things would have turned out if he lived on.
Most likely, without his tragic loss, we would have no MF DOOM, but it's possible
we could have had a group far beyond anything we could have imagined; two brothers
with the talent of MF DOOM? Or possibly more?

PRESENTING:
Mechanical Ashar
Beat Dump 6
Another chapter in a story of beat development, audio art & musical experimentation.

Free to download, check it out, let me know what you think.
For more Shadeprint stuff, find me online (@Shadeprint)

Thursday, 4 August 2016

Beat Dump 6. The Influences: Blu

Beat Dump 6: The Influences
Blu
(@HerFavColor)


So Beat Dump 6 is out & since we've come this far I guess it's time to discuss
influences and other stuff that might catch a few eyes and ears.

Blu is one of those rapper/producers I've been listening to before he had
a wikipedia page. I'm not even 100% sure how I came across this guy.
What felt like a bombardment of quality rhymes over soulful beats, from
"Below the Heavens" as a basic premise of who Blu is, to "Her Favorite Colo(u)r"
a mellow dream-like journey entirely self-produced, to "NoYork" (later renamed simply "York") an experimental, psychedelic trek with a hint towards a push toward
mainstream appeal.

  

Blu's entire journey, as a producer or working with the likes of Exile, Madlib or Dibia$e
taught me a lot about how to flip a sample and how to be tactful with drums
and percussion's. Similar to Hip-Hop's supervillain DOOM, Blu is also masterful with
his collages of skits and dialogue samples; "Her Favorite Colo(u)r" or the lesser known "no york e mo rmx" creating atmospheric scenery piece-by-piece, leading to an
(arguably) 
near flawless aesthetic for the entirety of the project.

Uncompromising in his approach, Blu has pushed a few projects with vintage or
extremely lo-fi presentation (sometimes to the ire of his fanbase), personally this
taught be a lot, sometimes creative direction takes priority over accessibility,
especially considering whatever statements you want to make, ideas you
want to get across or seeds you wish to sow.

There is TOO MUCH to go on about concerning this guys body of work,
I could talk about "Johnson & Jonson", the obvious go to guy "(So)ul Amazing",
"theGodleeBarnes(lp)", "Jesus" or "Give Me My Flowers While I can Smell Them"
all day. Blu is one of the few emcees who's flaws enhance his strengths.


PRESENTING:
Mechanical Ashar
Beat Dump 6
Another chapter in a story of beat development, audio art & musical experimentation.

Free to download, check it out, let me know what you think.
For more Shadeprint stuff, find me online (@Shadeprint)